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"Motets for the Passion" by Goffredo Petrassi is a striking and contemplative work that bridges sacred tradition and modern musical language. Composed in 1934, these motets reflect on the Passion of Christ through a powerful choral setting, blending expressive dissonance with the emotional austerity of early Christian music.

Petrassi, one of the most influential Italian composers of the 20th century, was deeply rooted in the sacred and cultural heritage of Italy. In these motets, he distills the essence of Holy Week — sorrow, silence, and spiritual tension — into a refined and introspective musical form. The text is in Italian, yet the spirit is universal: a cry of humanity before the mystery of suffering and redemption.

Musically, the work departs from Romantic lushness and embraces a lean, polyphonic texture influenced by Renaissance models and Gregorian chant. At the same time, its harmonic language is unmistakably modern, making this cycle a unique contribution to the repertoire of sacred music for Passiontide.

This performance invites reflection, prayer, and deep listening — especially suitable for Holy Week, Good Friday, or personal devotion during Lent.

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➤ Music by:
Coro da camera di Milano, Mino Bordignon and Goffredo Petrassi
From the album 'Goffredo Petrassi: "Il tempo del dolore" - Mottetti per la Passione'
℗ 1988 Pro Civitate Christiana
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00:00 – Josquin Des Prez: La deploration sur la mort de Jean De Ockeghem
04:42 – Tristis est anima mea (anonimo/corale tradizionale)
07:24 – Gesualdo da Venosa: Tristis est anima mea
12:51 – Goffredo Petrassi, Op. 1965: Tristis est anima mea
15:47 – Improperium expectavit cor meum
18:38 – Orlande de Lassus: Improperium expectavit cor meum
22:18 – Goffredo Petrassi: Improperium expectavit cor meum
25:35 – Tenebrae factae sunt (anonimo/corale tradizionale)
29:00 – Gesualdo da Venosa: Tenebrae factae sunt
33:37 – Goffredo Petrassi: Tenebrae factae sunt
36:58 – Christus factus est oboediens usque ad mortem
39:51 – Felice Anerio: Christus factus est oboediens usque ad mortem
43:08 – Goffredo Petrassi: Christus factus est oboediens usque ad mortem
47:06 – Johannes Brahms: Magdalena

➤ Image:
Francisco de Zurbarán (1598-1664), Cristo en la Cruz, CA. 1630

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